
I am a musician who had a path, say, in some ways "invisible", with some strange peak of visibility. My name is Marco Chiapponi. I was born in the late 50's and I lived as a child, galvanizing the '60s. Already in those years I was delighted to sing. I was a musically gifted child, I grew up with music, music was always present in my house, a jealous old reel to reel, radio, gramophone and mangiadischi, old 78's, 45 thrown to the right and left without cover. Even then I made up songs, a history of non-existent bands between reality and fantasy. In the seventies, from 1972 onwards (14 years!) I started to write songs, to engrave, to make prints from the Roman record. This my story followed a path
absolutely personal. I learned to play guitar by myself. I studied piano and music theory. with a teacher. I began to invent the actual LP that I recorded on tape in a rudimentary way.
This story lasted for about eight years. A poet who sang a just be accepted by the world, which affected the full-length albums, but non-existent, except in closed our workforce. Meanwhile, already in this stretch, my music is evolving. Some major musical events in these seventies. Donald C., who wrote poems, which musicae, and that created great excitement in my life, and behind there was progressive. Francesca Romana LP, the second "poet" with whom and with whom I collaborated beautiful songs, was behind the song American singer-songwriter folk-pop and rock of the late 70s. C. Romano, saxophonist, the first real musician, with whom I did my first live performances in 1979. It was the year of punk and I do not dispute and I was unharmed. My songs I'm soaked. Poetry "rock".
Since 1981 began a new experience. With two companions, Richard C. and Frank T. we ventured to find partners to form a mega group of six elements (bt, bs, el gui, gui ac, 2 voc), but the search took us to the end to go ahead and have the pleasure of playing in three.
learned to play bass and use electronic instruments. Inner Nail It was a great experience. A lot of energy, a trio really load and original.
the dissolution of the group in 1984, followed by an osmosis with the Roman world of music. I made myself, against my will, through communication between the groups: Inner Nail, Videozone, Illogical, Climate, Radio Eaters, etc.. Spread across one of my work which was attended by some of these musicians (Vera C.), was created in the years 1984-85, a pleasant environment for collaboration, which led these groups to manage some areas in Rome. Unfortunately, it lasted little. Inner Nail In 1984-85 the group was composed of some friends "mercenaries" for free (other groups) and was no longer the previous trio. In 1986 he became Latosegreto Inner Nail, and while the two voices (male and female) remained central, changed our two companions. Better tell that story later.
my artistic identity was constantly in search of a name from this blog in the
then my name will be Mariot Kima. Will DefInt?
Taking a brief overview of my list all names:
1972-73: Marco Chima
1974-75: Marco Chiapponi
1976: Morry
1977-80: Mark C.
1981: mc
1981-84: Inner Nail (formation of three)
1984-85: Inner Nail (five Formation)
1984-85: Unforgettable Nail (solo)
1985-86: Latosegreto (Training to four)
1986-1996: MarcoMargot
2008: Mariot Kima.
To tell my story I review my books, songs and concerts. Expand
my exposure to the recovery of material on other groups, artists of the Roman scene of the 80 who remained in the undergrowth, but experiences have made very interesting and worthy of being published. Still, interviews and other curiosities of that period. Central, however, remain my productions, too, and I regret to say, the most unlistenable.
Regards.
Mariot

This story lasted for about eight years. A poet who sang a just be accepted by the world, which affected the full-length albums, but non-existent, except in closed our workforce. Meanwhile, already in this stretch, my music is evolving. Some major musical events in these seventies. Donald C., who wrote poems, which musicae, and that created great excitement in my life, and behind there was progressive. Francesca Romana LP, the second "poet" with whom and with whom I collaborated beautiful songs, was behind the song American singer-songwriter folk-pop and rock of the late 70s. C. Romano, saxophonist, the first real musician, with whom I did my first live performances in 1979. It was the year of punk and I do not dispute and I was unharmed. My songs I'm soaked. Poetry "rock".
Since 1981 began a new experience. With two companions, Richard C. and Frank T. we ventured to find partners to form a mega group of six elements (bt, bs, el gui, gui ac, 2 voc), but the search took us to the end to go ahead and have the pleasure of playing in three.

the dissolution of the group in 1984, followed by an osmosis with the Roman world of music. I made myself, against my will, through communication between the groups: Inner Nail, Videozone, Illogical, Climate, Radio Eaters, etc.. Spread across one of my work which was attended by some of these musicians (Vera C.), was created in the years 1984-85, a pleasant environment for collaboration, which led these groups to manage some areas in Rome. Unfortunately, it lasted little. Inner Nail In 1984-85 the group was composed of some friends "mercenaries" for free (other groups) and was no longer the previous trio. In 1986 he became Latosegreto Inner Nail, and while the two voices (male and female) remained central, changed our two companions. Better tell that story later.
my artistic identity was constantly in search of a name from this blog in the

Taking a brief overview of my list all names:
1972-73: Marco Chima
1974-75: Marco Chiapponi
1976: Morry
1977-80: Mark C.
1981: mc
1981-84: Inner Nail (formation of three)
1984-85: Inner Nail (five Formation)
1984-85: Unforgettable Nail (solo)
1985-86: Latosegreto (Training to four)
1986-1996: MarcoMargot
2008: Mariot Kima.
To tell my story I review my books, songs and concerts. Expand
my exposure to the recovery of material on other groups, artists of the Roman scene of the 80 who remained in the undergrowth, but experiences have made very interesting and worthy of being published. Still, interviews and other curiosities of that period. Central, however, remain my productions, too, and I regret to say, the most unlistenable.
Regards.
Mariot

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